Three husbands have a routine where they go away together each year to what they tell their wives is a business convention, but is actually a sex resort. What they don't realize is that their wives aren't exactly sitting around doing nothing while they're gone . . .

Tired of being bossed around, Jean-Jacques, a talented cook quits his job to start up his own restaurant. He does a business course run by Claude, a frustrated writer. Lacking the necessary capital to get started, Jean-Jacques realizes that his dream may come to nothing. He stresses out, can’t sleep, starts taking tranquilizers mixed with alcohol.

Sang-cheol, who had been doing well in medical school was unable to graduate due to his father's business failure, and entered the path of being a film director instead. It's been a while since he’s been in touch with his college junior, Nam-soo, who had a hard time living in college to have a doctor title. He is living well because he married an actress. Nam-soo feels that Sang-cheol is having a hard time and suggests that they live together in his house.

Failed London banker Max Skinner inherits his uncle's vineyard in Provence, where he spent many childhood holidays. Upon his arrival, he meets a woman from California who tells Max she is his long-lost cousin and that the property is hers.

Jon Katz is close to burnout. He's a writer with writer's block; his wife has left for her sister's because he's emotionally distant; he rarely answers his phone. A kennel sends him a border collie that's undisciplined because of abuse. Despite a series of mishaps, Jon decides to keep trying with the dog, and he rents a dilapidated farm house to give the dog room to run. A local handyman refers Jon to a woman who might be able to help him train the dog. Reluctantly, Jon gives her a try. Is the dog the problem, or the owner?

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A short experimental work in which a montage of serene images is undermined by the ominous threats of true-crime television shows and a spoken interpretation of the love letters of Mary Kay Letourneau.

A short experimental work in which a montage of serene images is undermined by the ominous threats of true-crime television shows and a spoken interpretation of the love letters of Mary Kay Letourneau.

As the coronavirus pandemic progresses, the overlapping routines of three New Yorkers (Eve Lindley, Emilio Vitolo, Mitzi Akaha) change unexpectedly.

In search of purpose, opportunity and independence, four rural women start an adult products business in 1992 — embarking on a journey of self-discovery.